A1 Il Pleut 2:32
A2 Le Beau Cancer 1:59
A3 Il Se Passe Des Choses 3:34
A4 Une Fois Mais Pas Deux 2:45
A5 L'Homme Objet 1:30
A6 Éternelle 2:23
B1 Blanche Neige 3:30
B2 Comme Rimbaud 1:53
B3 Dommage Que Tu Sois Mort 2:25
B4 Je Suis Inadaptée 2:41
B5 Cet Enfant Que Je T'Avais Fait 4:25
Arranged By - Jean-Claude Vannier
i am rather enamored of this lady in general, but this particular lp is a recent discovery. together we'll find out if it stands the test of time & warrants repeated listening, but it's a pretty sexy slice off the top if you axe me. arranged by the same brother who orchestratedhistoire la melodie nelson. the recording is over 40 years old & still sounds fresh to these ears, tho i was warned to ignore the last song & i must urge you, dear reader, to do likewise. apart from that tiny disclaimer, the arrangements are pretty innovative, the lyricshumorously bizarre & dear brigitte is in fine voice. 320remerciements à solipse
Student of musique concrète founder Pierre Schaeffer, wife of painter/sculptor Arman and student of Pierre Henry, one of musique concrète’s most important composers, Eliane Radigue’s work seemed for while a bit overshadowed by the weight and importance of the aforementioned artists’ accomplishments, up until the late 90′s-early 00′s, when she finally gains the status of one of electronic music pioneers, a status reinforced by her reception of the Golden Nica Award at the festival Ars Electronica in 2006.
Dale Cooper Quartet and the Dictaphones is a quartet from France that improvises and experiments by combining jazz, drone and electronic elements in order to create a very special result. Parole de Navarre is their debut album although that was originally released in 2006. They use guitars, saxophone, trumpet, electronic samples and blood-curdling screams in order to create an infinite gloomy audio result.
There is angry energy and a hardcore metal in here that appears above punk dust and sludge fog. The vocals are dirty, so dirty, dirtier than ever heard before. The vocalist is truly a hardcore / punk screamer. I think a lot of people could say that he is annoying. But this is the point, he has the dirtiest screams I‘ve ever heard in these genres and that’s cool. Rabbits produce a kind of punk that goes screamo and ends in a very slow and lo-fi style that reaches sludge and doom stoned music variations. The combination in this album is great. The genres mixed are close to each other, but I am truly sure that I have never listen to this kind of sludgy and dirty scream hardcore that sometimes goes down, so down, below the average doom metal band. The album is a down-tuned guitar masterpiece with a modern punk and dirty-sludge attitude. Give them a try, they are a new member in Relapse stable and they do it well. For fans of Converge, A Day to Remember, Refused, Kylesa, Melvins, EyeHateGod, 16, Grief, High on Fire, Darkthrone, Dystopia, Melt-Banana and Orange Goblin.
A Clean Kitchen Is A Happy Kitchen is the debut album of the homonym band from Belgium that consists of Craig Ward, Bootsie Butsenzeller and Zahnoun Ben Younes. This skillful trio is blending random amounts of progressive, experimental, math, noise, in a very awkward but surprisingly interesting way. The album contains eight tracks of randomly distributed progressive dirt that bathing may be necessary after listening to it, as the band aptly describes itself. The filthiness of the guitars accompanied with raw bass lines in tracks like “Safety Shot” or the insane “Pigeon Song” is one of their major characteristics of the band that seem to come out so naturally as they create them. Of course it is not an album that addresses to the majority of the audience because the chaotic complexity in ACKIAHK’s compositions cannot be tolerated by everyone. Personally I found the album really interesting and I strongly recommend that if you are pleased by dirty-styled progressive then this is an piece of work that will enthuse you. Overall ACKIAHK will become a perfect friend of you given that you are a little bit psycho or you meet the basic requirements in order to be one.
This is really dirty and scary metal. There is a combination of punk rock and old school thrash metal riffs. The band produces a messy metal music with a hard rock attitude and a never-ending head-banging motivation. Sometimes it is hardcore, other times slow down in sludgy rhythms and the most of the time drives you crazy. The vocals are insane. Screams and squeals with other clean and punk vocals in the background. I think there is a Big Business and Melvins smell with a huge punk music taste in this record. Lighting Bolt and the Jesus Lizard crash with Slayer I do find it quite interesting, really noisy and truly metal. The only problem is that the tracks are not so well structured and there is no inspiration inside the compositions. On the other hand this point leaves the album raw and rough. This is truly punk and the riffs can wedge in your head. This is the advantage of it. Raw and noisy. Original, tough, punk and heavy metal. Riffs and riffs again.